Top 5 Comic Books of 2015

In similar fashion to my year-end ‘Top 5’ lists for video games and anime, the stories detailed below are the five best comic books/graphic novels that I read between January and December of this year. Some of these series may have been released in years prior, but I simply did not get around to reading them until recently. Also, keep in mind that while comic book reviews are one of the newest additions to my blog, having only started in April of this year, that some of the earliest reviews posted here were of comics I read in 2014 or earlier, and are thus ineligible for making this list.

#5) All-New Ghost Rider: Perhaps the strongest debut in the Marvel NOW! launch next to Nova, All-New Ghost Rider sees teenager Robbie Reyes raising his younger, wheelchair-bound brother without parental aid in a rough Los Angeles neighborhood. Surrounded by frequent gang shootings, drug lords, and common school bullies, Robbie works twice as hard to earn money as an underpaid mechanic to afford basic necessities for his brother’s medical care. When he is granted the powers of the Ghost Rider, Robbie decides to try and clean up the town, and hopes to make it a safer place for his brother, himself, and increase the overall quality of living for locals who – whether directly or not – are affected by the criminal goings-on.

#4) X-Men ’92: Exactly as its name implies, X-Men ’92 is a trip down memory lane, as the cartoon counterparts of the classic X-Men team debut in comic book form as part of the 2015 Secret Wars event. An original story that takes place after the Brotherhood of Mutants have been defeated, the miniseries sees Jubilee, Wolverine, Jean Grey, Cyclops, Gambit, Rogue, Beast, and Storm reunited for one more adventure, as they investigate a suspicious rehabilitation facility run by one Cassandra Nova. Other faces drop in as well, such as the X-Force team, while the finale offers plenty of satisfying, slightly goofy homages to the X-Men history, and still manages to successfully tease future storylines, as X-Men ’92 has since been greenlit as an ongoing series post-Secret Wars. X-Men ’92 is strikingly self-aware, occasionally breaking the fourth wall to land a joke about the X-Men arcade game, or the 1990s censorship rules regarding what could or could not be said on a children’s television program

#3) X-Men: Age of Apocalypse: A bold reimagining of the X-Men universe from the mid 1990s, Age of Apocalypse details an expansive ‘what if?’ scenario, where Charles Xavier was killed by his unstable, time-traveling son Legion, leading Magneto to champion all of Charles’ ideals and form his own team of X-Men. As the years pass, Apocalypse rises to power, corralling humans into prisons and pens, only serving to further strain relations between humans and mutants. Despite all this, Magneto and the X-Men strive to help those humans still living in the futuristic dystopia created by Apocalypse and his four horsemen, and intend on striking directly at the villainous conqueror, no matter how greatly the odds may be stacked against them.

#2) Guardians of the Galaxy: The Complete Collection: Dan Abnett and Andy Lanning’s Guardians of the Galaxy run stands as the highest point of the already-superb Marvel cosmic renaissance of the mid 2000s. A broad cast of strange, yet oddly intriguing characters drive a plot that is just complicated enough to suck readers into to these spacey adventures, without getting lost within its own backdrop. This series stands masterfully on its own as the premiere cosmic Marvel storyline, while also acting as an effective bridge between the two Annihilation events and The Thanos Imperative finale.

#1) Black Science: A wild and unrelenting ride into outlandish realms and alternate realities, Black Science is bold; unafraid to mash vastly different scenarios together. Much of the series’ visual spectacle comes from equally fantastical and terrifying backdrops that include of a World War I-era battle between ill-prepared German soldiers squaring off against Native Americans who have repurposed hyper-advanced alien technology for their own needs, a tribal conflict between fish people and frog people on a moving island set on the back of a giant turtle, a society of territorial snow monkeys who are skilled in both clockwork and steam-based mechanicals, and a fallen Roman Empire where troops travel by jetpack while a virus has killed the majority of the populous. The plot, meanwhile, revolves around Grant McKay and his team of scientists, as they are stranded in these increasingly dangerous locales. One of the team members has broken the Pillar, the device that allowed them to make the initial jump through time and space, and as such, the series begins with all of them becoming suspicious and distrusting toward one another. The other significant conflict is Grant attempting to reconcile with his children, who have also been swept up in these events, over years of being emotionally and motivationally absent from their lives, and for causing his marriage to their mother to fall apart due to an affair with one of his co-workers. These interactions between the core characters ground the series in relatable terms, and the character progression therein is surprisingly satisfying. There are a few twists along the way, and the payoff of each proves worthwhile. Though there is still plenty to be explored in future releases, these first three trade paperback volumes do well to cap off what is essentially the first story arc of Black Science.

Comic Book review: Guardians of Knowhere

While the majority of the Battleworld series spun out of the thread that is Marvel’s 2015 Secret Wars remain largely self-contained narratives, Guardians of Knowhere ranks among the most limited in scale. Given the far-flung cosmic adventures typical of the Guardians of the Galaxy, it is initially a bit jarring for the story to adopt such a format, though understandably necessary, given the four-issue limit. Guardians of Knowhere is a strikingly appropriate title – while there are cosmically-supercharged showdowns afoot, they occur exclusively on the severed head of a Celestial known as Knowhere, which orbits Battleworld, and where the Guardians have made their base of operations. Nothing exists in the star-sprinkled skies beyond Knowhere – something which greatly disturbs Gamora.

Gamora is seemingly the only member of the Guardians that has any recollection of the world as it once was, before God Emperor Doom forged Battleworld from the remains of dozens of shattered realities. But her memories are similarly fragmented, and though she recalls names like ‘Groot’ and ‘Quill’, she has no faces to place with them, no context. Teaming up with Drax, Rocket, and Mantis, Gamora takes on some of Knowhere’s more ruthless scoundrels, adhering to no rules, only her incredible skills as a warrior. The Nova Corps, meanwhile, are a more by-the-books peacekeeping force, consisting of Nova, Captain Marvel, Adam Warlock, Iron Man, and Agent Venom, and often coming onto the scene to clean up after the guardians and take thieves and murderers into custody.

When Gamora’s questioning of the truths everyone else so easily buys into upsets Knowhere’s appointed Thor, Angela, Gamora is warned that what she speaks of goes against all that Doom has created, and is nothing shy of heresy. Still, Gamora insists that this reality around her is a façade, the memories of a time and place gone by haunting her so intensely. Sandwiching these standoffs between Gamora and Angela are two encounters with Guardians of Knowhere’s major villains – Yotat, and a second unnamed female alien. They are presented in strikingly different airs, with Yotat being some thug who ended up on the wrong side of a transaction now desiring revenge and subsequently bulking up, courtesy of spacey drugs and tech. The second alien foe is almost entirely shrouded in mystery – she is never given a name, and despite her stellar aesthetic and intimidating skill set, her motives are not made clear, either.

Of all the Battleworld storylines I’ve been exposed to, Guardians of Knowhere is the one most strangled by its own limited issue count. The series effectively paints two entirely unrelated encounters the Guardians have with threats to their home, but never really gives an indication of what the other Guardians are fighting for. Is it because their lives on Knowhere are all Drax, Rocket, and Mantis have ever known? Quite possibly, but they take a backseat to Gamora so frequently, it’s easy to completely forget their presence at times. Guardians of Knowhere is easily among the most visually-pleasing of all the Battleworld series. It’s just a shame that the narrative is largely nothing-achieving, with the last chapter feeling as though it were the first half of a two-part arc that was never finished.

My rating: 6.25 (out of 10)

Comic Book Update: "Bub, I'm the best at what I do!"

Most of the Secret Wars tie-in series I had been following have just recently wrapped up. It’s been a brief, but wild ride. I’ve thoroughly enjoyed each of these series, for the very different narratives and characters they bring to the table, even if they did only last four or five issues a piece. Obviously the most high-stakes story lies with God Emperor Doom, the central figure that has cobbled all these realms of Battleworld together, but it’s been fun to branch out and explore series I might not have otherwise been so keen on investing the time and money into.

Age of Apocalypse still has one issue remaining in its 2015 reimagining. Meanwhile, Armor Wars (2015), Ghost Racers, Guardians of Knowhere, X-Men ’92, and Inhumans: Attilan Rising have all come to a close. I’ve already posted my review for Age of Ultron vs. Marvel Zombies, which concluded last month, and which you can read here. As for the other previously mentioned series, expect reviews for them to gradually trickle out between now and the end of October.

The mid-1990s run of the original Age of Apocalypse will resume as my priority reading material. Expect reviews of the first and second numbered trade paperback releases soon. I also plan to post (somewhat long-overdue) reviews for the fifth volume of the Marvel NOW! Nova series, as well as Thanos: The Infinity Relativity, and I recently completed the third trade paperback volume of Captain Marvel. Beyond those, I will likely pick up the sixth volume of Nova, and the fifth volume of Guardians of the Galaxy later this Fall. There may also be a few odd additions to my comic book library that I purchase at this weekend’s Grand Rapids Comic-Con. Either way, expect all of the comics listed above to be among the last series I will be reading and writing reviews for between now and December 31st, as I believe that a reasonable stack for this one-man production to appropriately cover in the months that remain before year's end.

Comic Book review: Angela: Asgard’s Assassin, Volume One: Priceless

When Marvel acquired the rights to Angela, formerly a character from Image’s Spawn comics, they chose to place her in the company of the Guardians of the Galaxy. It was a bold move, to be sure, but she felt right at home in that cosmic setting. Angela was hell on legs, able to best most of the Guardians in battle before befriending them, and carrying on a flirtatious rivalry with Gamora. It was a gamble that paid off in spades, as Angela was able to flourish in her own identity, playing off the Guardians wonderfully, while still feeling as though there was plenty of potential for development down the road.

Enter Angela: Asgard’s Assassin, a series wherein Angela is the main character, rediscovering her Asgardian roots, and quickly finding herself on the run from her long-lost brothers Odinson and Loki. Her crime? Stealing her younger sister, eventual heir to the Asgardian throne, and leaping through the nine realms with the baby in tow. Also in Angela’s company is Sera, a former angel who lived not unlike a monk among the few male angels before leaving on her adventures with Angela. At some point before the start of this first volume, Sera was killed, only to be mysteriously resurrected, and Angela’s desire to know why and how Sera returned to the land of the living serves as a secondary mystery.

There is a lot going on in this first trade paperback volume – too much, in fact. While Odinson and Loki are shown as the initial pursuers, some of the forces of Hel also chase after Angela, Sera, and the baby, while the story flashes back every so often to Asgard to explore Odin and his views on this very complicated family reunion. Yet, there is actually quite a limited amount of time spent in Heven. Only during the last couple of chapters do Angela and Sera actually enter the realm of the Angels, a place which boasts more future-tech than myth and magic. Given how significant a change-up to the previously-established nine realms this new tenth one is, Marvel could have easily devoted an entire trade paperback volume solely to Angela’s roots and the history of the angels.

Angela’s portrayal sees an odd reversal from how she was depicted in the Guardians of the Galaxy comics. She’s still willing to cut down anyone who challenges her, but has lost much of the ferocity she was once known and feared for. Instead, she preaches the system of repayment that the angels apparently base all of their actions around – if someone asks her for a favor, Angela will oblige, but only after reminding them that they must eventually offer her something of a similar value (whether said offering is a physical object or action). It’s an interesting concept, but one that wholly contradicts her presentation in the Guardians comics.

Angela: Asgard’s Assassin is quite heavily steeped in the mythos of the Thor comics, and current events from Odinson’s life. The Thor comics have long existed within their own sphere, to a certain degree, separate from the more closely-interwoven storylines of Avengers members, the X-Men, and most of the other Earth-based heroes. The same can be said of cosmic Marvel – much as Nova, Captain Marvel, and the Guardians of the Galaxy might cross paths with one another, Asgardians tend to stick to the realm of might and magic, save for Thor’s frequent team-ups with Captain America, Iron Man, Hulk, and the other core Avengers members. Nine times out of ten, there is so much lore at play in the Thor comics that it is difficult, even discouraging for newcomers to jump on board, and while Angela: Asgard’s Assassin is not quite as explicit an offender in this regard, there is still a decent portion of backstory that is barely even glossed over, with the assumption that readers are up to speed on recent Asgardian history.

Angela does earn herself a radical new outfit by the end of this trade paperback collection, and the action sequences are plenty exciting to look at. But as a character, Angela performs best when she receives the spotlight for more than just violent actions. Future storylines centered around this fallen angel will prove far better if their narratives are not so restricted to the current events of the Asgardians.

My rating: 6 (out of 10)

Comic Book review: Guardians of the Galaxy & X-Men: The Black Vortex

Following up on the previous X-Men/Guardians of the Galaxy team-up, this latest mini-crossover sees Star-Lord, Rocket Raccoon, Drax the Destroyer, Gamora, and Groot, with Captain Marvel and Agent Venom in tow, cross paths with two teams of X-Men: the modern day team, led by Storm, and the time-displaced youthful versions of Jean Grey, Iceman, Beast, Angel, and Cyclops, who were largely at the center of their last encounter. This time, the premise is heavier on the cosmic fanfare typical of Guardians comics. An ancient artifact known as the Black Vortex has fallen into the hands of Star-Lord’s nefarious father J’son, and so Peter Quill and his now-girlfriend Kitty Pide decide to steal it from him, not understanding the extent of its powers, but knowing that J’Son only intends to make use of it for his own selfish, evil ends.

This trade hardcover collects significantly more issues than a typical Marvel release – mind you, it’s not as thick a graphic novel as the likes of much larger crossover events like Infinity, but a little more than twice the size of a regular single trade release. Included are Guardians of the Galaxy & X-Men: The Black Vortex Alpha #1, Guardians of the Galaxy #24-25, Legendary Star-Lord #9-11, All-New X-Men #38-39, Guardians Team-Up #3, Nova #28, Cyclops #12, Captain Marvel #14, and Guardians of the Galaxy & X-Men: The Black Vortex Omega #1. While it is a breath of fresh air to have characters like Captain Marvel, Nova, and even Ronan the Accuser steal the spotlight for a bit, their time on center stage is very brief, and this ties into The Black Vortex’s most prominent problem: there is simply too much going on in this storyline.

At the outset, accounting for the Guardians, present day X-Men, and their youthful X-Men tagalong companions, there are sixteen heroes on the playing field, pitted against J’son, his loyal team of Slaughter Lords, Thanos’ Inhuman son Thane, and Ebony Maw. And they only add more characters from that point forth, granting most of the characters only one major moment of heroism. In a similar vein, there are nearly a half-dozen subplots that the story jumps through, some of which are meant to round out narratives set in motion quite some time ago, such as where Thane disappeared to after he escaped Earth in Infinity, and the romance between Peter Quill and Kitty Pride. On their own, each of these smaller stories are decent, but when they get tossed into the already complicated mix that is The Black Vortex, many of them ultimately feel like distractions from the main plot.

That main plot, of course, being concerned with the mystic and dark powers that the Black Vortex can bestow upon anyone who willingly submits themselves to it. Almost immediately following its acquisition by Peter and Kitty, there is an involved debate over whether or not the heroes should take advantage of it. While some of the more level-headed characters are opposed to taking such a huge gamble with an unknown artifact, and Drax thinks it should simply be destroyed, the Slaughter Lords descend upon them, weapons drawn. In the heat of the ensuing battle, Gamora, Beast, and Angel all submit to the Black Vortex, upgrading to incredibly powerful versions of themselves, albeit at the cost of being detached from mortal concepts of time, space, and morality.

While this second crossover of the two teams certainly leans closer to the territory of Guardians of the Galaxy, it is written with the intent that it is easier to access for any readers that might not have a wealth of familiarity with the cosmic misadventures of Star-Lord, Drax, Gamora, Rocket, and Groot. The tradeoff for this, however, is that the writing style is dumbed down considerably, to the point where it is somewhat boring dialogue throughout for anyone who has been following along with the Guardians comics as of late. Iceman is fun during the moments that he is allowed to get in a few quips, and Nova’s standalone comic is still up to the quality I’ve come to expect from his current ongoing series, but when all is said and done, the heroes who see the best payoff in terms of noteworthy character development from The Black Vortex are Star-Lord, Kitty Pride, Cyclops, Gamora, and Beast. The rest of the cast fills in the gaps - Storm and Captain Marvel championing mentor and leader roles, while X-23, Agent Venom, and Rocket are conveniently absent or simply forgotten about for the majority of this tale.

My rating: 6 (out of 10)

Comic Book Update: “I am as far beyond mutants as they are beyond you!”

I’m going to be altering the format with which I handle comic book/graphic novel reviews from this point forward. While I certainly feel there is a benefit to seeing the visual artwork and layout of the graphic novel format within a video review, the comments sections of my YouTube videos have, over the course of the last year or so, become increasingly populated by lazy, rude, and overly demanding individuals. As such, comic book reviews going forward will be adopting a format similar to my video game and anime reviews. With perhaps rare exceptions, I still expect to review individual volumes of a longer running storyline, as opposed to the entirety of that storyline. However, when the end of the year ‘Top 5 Comic Books of 2015’ list is posted (alongside my ‘Top 5’ lists for video games and anime) it will list my best-of-the-best selections for this year as the sum of its parts – or, at the very least, the extent of what has been released before the end of December 2015. In short, my comic book reviews are not going away, they are simply seeing a format change that will be more in line with the style I have already established for my video game and anime reviews.

With that order of business taken care of, what follows is the current list of upcoming reviews. Keep in mind that I have no concrete date in mind for the posting of these reviews, only that they will be coming sooner rather than later. From the Marvel Now! line, I’m still following along with Nova and Guardians of the Galaxy, and while the latter won’t see its fifth proper installment released until later this year, I recently finished the second crossover with the X-Men, titled The Black Vortex. I also picked up the first volume of Angela: Asgard’s Assassin, as I rather enjoyed how they opted to introduce her character in the Guardians of the Galaxy run, and am hopeful that a solo series of her own can garner a solid balance between Marvel’s cosmic and fantasy realms. It certainly doesn’t hurt that she kicks all kind of ass on her journeys of self-discovery.

I also recently finished Thanos: The Infinity Relativity, the second of three original graphic novels by Jim Starlin, focusing on the Mad Titan himself, as well as plenty of other familiar cosmic Marvel faces. And I continue plugging away at the magnum opus that is X-Men: Age of Apocalypse, a series which, frankly, has no right holding up as well as it does in this day and age (it continues to blow me away, in the best ways possible). In a similar gamble to Black Science, I decided to pick up Divinity from Valiant Comics (a label with which I have no prior knowledge of), as it too dabbles in the territory of fringe science and men playing gods. Meanwhile, the third volume of Black Science is en route to me as I write this, and in all likelihood, I will power through this latest release on the day it arrives on my doorstep.

While I typically wait for the trade paperback releases of comics to purchase them, some of the current Marvel Secret Wars/Battleworld storylines proved too appealing for me to pass up, and so I am currently reading X-Men ’92, Inhumans: Attlian Rising, Guardians of Knowhere, Age of Ultron vs. Marvel Zombies, Armor Wars (2015), and Age of Apocalypse (2015). Currently, X-Men ’92 is my favorite of the bunch, but Age of Ultron vs. Marvel Zombies is proving a surprisingly solid read as well. I’m only one issue into Age of Apocalypse, so I can’t properly gauge that series as of yet, while Inhumans: Attilan Rising, despite being one of the more wildly inventive offerings from the bunch, has not yet left as strong an impression on me as most of the other series. Perhaps it will prove a slow burn. Either way, I certainly appreciate the fact that these storylines will all be limited runs, and that Marvel isn’t pretending that the Secret Wars/Battleworld mish-mashing of different places and times in their history is in anything but temporary. On a side note, I have been reading the main Secret Wars series on loan from a friend, and it is easily one of the better crossover events in recent history – possibly a better read than Infinity, depending on how these upcoming later issues play out. More likely than not, I’ll end up purchasing the Secret Wars trade paperback before year’s end.

Comic Book review: Guardians of the Galaxy, Volume Four: Original Sin

My review of Guardians of the Galaxy, Volume Four: Original Sin.  Written by Brian Michael Bendis, Illustrated by Ed McGuinness and Valerio Schiti.

My rating: 7 (out of 10)

Comic Book Update: Higher, Further, Faster, More

Yesterday was Free Comic Book Day, and while I nabbed a handful of preview comics and free issues on ongoing series, I also decided to purchase a few trade paperbacks as well from a local comic shop. All three were Marvel properties, the first being Ms. Marvel: Best of the Best, as I’ve really been digging Carol Danvers’ role as Captain Marvel in the more recent Avengers tales and her current solo series. I thought it appropriate to travel back to some of her earlier tales of action and heroism. Along those same lines, I picked up the Avengers/Invaders collection, a post-Civil War story which appears to highlight Ms. Marvel, Captain America, Black Widow, and many other Avengers members who I am familiar with, as well as some that I would like to read more about. Finally, I grabbed the second collection in the X-Men: Age of Apocalypse epic, a release which, as I understand it, was something of a confusing series of trade paperbacks, as this second volume is where the Age of Apocalypse story truly starts, while the first collection is comprised largely of side stories and supplementary material. Until very recently, it had been years since I had read a proper X-Men story, but upon finishing X-Factor Forever, my interest in the mutants was somewhat rekindled, as I wanted to learn more about Apocalypse as a villain – the vast majority of my pre-existing familiarity with X-Men tales stemmed from the conflicts between Charles Xavier’s titular team and Magneto’s Brotherhood of Mutants.

Also among my semi-recent purchases are Avengers: Ultron Unbound, an early 1990s story wherein Ultron attempts to take down the West Coast Avengers and build himself a robotic wife in preparation for his plans to kick-start dormant volcanoes to wipe out all life on the planet. It’s a bit corny, and the oddball cast that makes up the West Coast Avengers is a striking reflection of Marvel’s 1990s style, but Ultron is an entertaining villain as always, and the interactions between some of the Avengers members imply some less-than-happy-go-lucky outcomes. I recently finished the second trade paperback collection of Rick Remender’s Black Science, a series which – if it continues to fire on all cylinders while maintaining a scope that balances intrigue with a focused plot, as it has been from the start – may go down as one of my all-time favorite graphic novels. I am somewhat wary in stating that, as I don’t want to get too far ahead of myself, but Rick Remender’s writing has consistently impressed me across the many different storylines and genres he has tackled.

By the end of this month and into early June, I expect to have added the latest volumes of Guardians of the Galaxy, Nova, Captain Marvel, Legendary Star-Lord, and Captain America to my collection, as well as Jim Starlin’s latest original graphic novel, The Infinity Relativity, and the Realm of Kings reprint in order to round out my collection of Marvel's cosmic renaissance works. I may also end up purchasing the Annihilation Conquest Omnibus for that same reason. Other trades that I have my eye on and may bundle into orders later this summer include Spider-Man Noir: Eyes Without a Face, Infinity War, Infinity Crusade, Thanos: A God Up There Listening, Uncanny Avengers, and the Thunderbolts series featuring Agent Venom, Red Hulk, Elektra, Punisher, Deadpool, and Ghost Rider.

Comic Book review: Guardians of the Galaxy by Abnett and Lanning: The Complete Collection

My review of Guardians of the Galaxy by Abnett and Lanning: The Complete Collection. Written by Dan Abnett and Andy Lanning, illustrated by Paul Pelletier, Brad Walker, Carlos Magno, and Wes Craig.

My rating: 9.75 (out of 10)

Comic Book review: The Thanos Imperative

My review of The Thanos Imperative. Written by Dan Abnett and Andy Lanning, illustrated by Brad Walker and Miguel Sepulveda.

My rating: 9.25 (out of 10)

Comic Book review: War of Kings

My review of Marvel's War of Kings event comic. Written by Dan Abnett and Andy Lanning, illustrated by Paul Pelletier and Bong Dazo.

My rating: 9.25 (out of 10)

Comic Book review: Guardians of the Galaxy, Volume Three: Guardians Disassembled

My review of Guardians of the Galaxy, Volume Three: Guardians Disassembled. Written by Brian Michael Bendis, illustrated by Nick Bradshaw.

My rating: 7 (out of 10)

Comic Book review: Guardians of the Galaxy/All-New X-Men: The Trial of Jean Grey

My review of Guardians of the Galaxy/All-New X-Men: The Trial of Jean Grey. Written by Brian Michael Bendis, illustrated by Sara Pichelli and Stuart Immonen.

My rating: 6.25 (out of 10)

Comic Book review: Guardians of the Galaxy, Volume Two: Angela

My review of Guardians of the Galaxy, Volume Two: Angela. Written by Brian Michael Bendis, illustrated by Sara Pichelli, Francesco Francavilla, and Kevin Maguire.

My rating: 8.5 (out of 10)

Comic Book review: Guardians of the Galaxy, Volume One: Cosmic Avengers

My review of Guardians of the Galaxy, Volume One: Cosmic Avengers. Written by Brian Michael Bendis, illustrated by Steve McNiven and Sara Pichelli.

My rating: 9.25 (out of 10)