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Showing posts with label Satoshi Kon. Show all posts
Showing posts with label Satoshi Kon. Show all posts

Sunday, December 23, 2012

25 Days of Anime - #3: Paprika


An adventure into the realm of dreams and an exploration of the ways in which humans choose to respond to their dreams, Paprika is a wildly original and wonderfully creative film. The plot follows Dr. Chiba Atsuko and her fellow scientists who have developed a device known as the DC Mini, which is meant to aid dream therapy. The intent is that final production models of this device will have security features that would prevent them from being misused - that way, no one could tamper with patients' minds. However, one such device goes missing before it is fully equipped with these security features, and certain individuals begin to act strangely, putting themselves in danger.

While Dr. Chiba Atsuko does her best to uncover leads to who might have stolen the DC Mini and what they intend to do with it in the real world, her alter ego Paprika covers the front of the dream world. Paprika is not required to play by any rules, though both she and Atsuko recognize the importance of handling their presence in other's dreams with the utmost care. Though Paprika can dig for clues by breaking through folds in the dreamscape and can outrun danger by changing her physical form, the individuals whole stole the DC Mini are also tapped into the dream world and are equally capable of adapting on the fly.

What makes the delivery of Paprika's story so entertaining is also what makes it so intense and cleverly scripted. While Paprika and Dr. Atsuko are technically the same person, they could not be more different. Dr. Atsuko is the methodical and professional side, putting her work first and chiding her colleague/eventual love interest Kosuka Tokita for his sometimes childish behavior. Meanwhile, Paprika dares to be bold in her exploration of the many planes of the dreamscape. The two disagree at how to tackle the series of events, and present a highly amusing back-and-forth decision-making process of one inner psyche. The film simultaneously incorporates something not often presented in similarly-themed works - having elements of the dream world bleed over into reality, and forcing both characters and viewers to question where they are at key points in the story.

Paprika is a spectacle to behold, and is a standout anime film. Satoshi Kon's creativity is overflowing through one of the most colorful worlds ever envisioned in animated entertainment. Paprika is a film that perfectly balances a modern day detective case and one awesome-scaled adventure, elements that parallel Dr. Atsuko and Paprika respectively.

Friday, December 14, 2012

25 Days of Anime - #12: Paranoia Agent


A dark look into the inner workings of the human mind, Paranoia Agent is set in a localized area of Tokyo. It focuses on a small circle of individuals and the way in which they interact with one another, whether consciously or not. The story kicks off with an incident involving a young woman being attacked by a roller skating assailant wielding a bent golden baseball bat. As word of this curious case spreads throughout the immediate community, people begin to come up with their own impressions of the roller skating kid, and dub him "Lil' Slugger".

The cast of Paranoia Agent is an unusual one, to be sure. A split-personality prostitute, a duo of detectives, a sleazy journalist, and a popular middle school student are just a few of the faces that get wrapped up in the rumors surrounding Lil' Slugger. As more people come to hear about the initial attack, they begin to weave tales of their own, claiming he was spotted as such and such place and has odd behavioral tendencies. The more time these characters spend fixating on who the real Lil' Slugger is, the more their perception of reality is altered in accordance with it. One of the detectives chooses to view the case as a battle of might and monsters, while others are less extreme but may lead them to uncover dark truths about themselves or their friends and family.

Because the presentations of all these different visions of Lil' Slugger lack much in the way of concrete evidence, the series does as much to mess with the minds of the characters as it does to mess with the minds of viewers. Each episode ends with more and more possibilities presented to the audience as to the nature of the case, making absolute truth less and less certain. It's a dark and methodical series, despite the aforementioned descent into near-chaos. There are false leads and subplots abound, making the entire viewing experience a most unusual, yet thoroughly satisfying modern detective tale.

Sunday, January 2, 2011

Top 5 Anime of 2010

Along with my "year in review" post for all the anime I viewed during 2010, I've decided to make a post regarding the five best anime among those. For this list, I more or less discarded the ratings I gave each anime (as not all of them are among the series/films I rated the highest), and instead based this list more on my own personal experience with the anime - how much I enjoyed it, how thought-provoking/suspensful it was, how creative the story was, how well the art style and soundtrack fit the series, etc. (Note: series that I did not complete in their entirety this year - i.e. Full Metal Alchemist, Sgt. Frog, etc. - are not eligible for this list, despite the fact that I may have expected I would be finished with some of these series by the end of 2010.)

#5 - Turn A Gundam: Despite it being nontraditional Gundam in more ways than one, Turn A Gundam is, in my opinion, the single best alternate universe Gundam series released to date. The characters make the show what it is in the style of how 08th MS Team played out, and that said, the story is both genuinely entertaining and a bit more thought-provoking than with most mecha series. The soundtrack and art style do wonders for the series in subtle ways.

#4 - Samurai Champloo: I've only recently gotten into hip-hop music, but I'm certainly more partial to the old-school style than recent artists of the genre. Nujabes, Force of Nature, Tsutchie, and Fat Jon carry more of an old-school hip-hop sound in the soundtrack to Samurai Champloo, but add plenty of their own stylings to make it unique and cohesive with the series' story and art style. Fuu, Mugen, and Jin play off each other brilliantly and the colorful host of characters they meet during their journey only fuels the humor further. Equal parts action and comedy, Samurai Champloo is one of the most creative blends the anime industry has seen in years and kept me deeply entertained the entire way through.

#3 - Paranoia Agent: Lil' Slugger's actions start a slew of rumors that ulimately sets the stage for one of the most gripping and (admittedly) disturbing series I've ever had the pleasure of viewing. It's the sort of disturbing that you as a viewer are unsettled by, but don't want to stop watching due to how captivating the plot and characters are. A number of cleverly-scripted plot twists along the way coupled with the constantly changing perspective of narration was icing on the cake for me while watching this psychological thriller-mystery hybrid.

#2 - Ergo Proxy: A dystopian sci-fi series that slowly but surely reveals more and more to viewers about the many mysteries and subplots therein, Ergo Proxy paces itself brilliant, adding some epic action sequences when necessary. The proxies add an intersting dynamic to an otherwise familiar dystopian story formula, but the characters are where the series really shines through. The ideas conveyed within Ergo Proxy are fairly complex and as such not every potential viewer will be able to wrap their head around things (some may also lack the patience necessary to follow some less action-heavy episodes), but for those who choose to tackle this series, beautifully drab art style and all, it's a deeply thought-provoking and very well-scripted series.

#1 - Paprika: The concept of dreams is something that has fascinated and perplexed man for ages, but rarely does a story about dreams that is so original and perfectly-executed come along. While there are relatively few characters throughout, each of them plays an important role in the intricacies of the DC Mini's theft, its recovery, and the merging of reality and dreams. There's an interesting dynamic between Paprika and Dr. Chiba Atsuko that has been attempted many times in movies but rarely pulled off with as much creativity or success as this character's outward self and her repressed emotions. The soundtrack, while beautifully scored, is mildly creepy at times, which is only befitting of this mystery within the mind.

Thursday, December 30, 2010

2010 Year in Review: Anime

2011 is a mere day away, so I present my year in review of every anime series, OVA, and film I completed in 2010, as well as a brief summary of my thoughts on each and my ratings (out of a possible 10). There are some that I am still working on, and others where I have completed a season but not the entire series, and as such those series will not be included. Many of the series, OVAs, and films mentioned here already have reviews posted, so you can check those out at your leisure. For those that do not yet have reviews posted, expect them sometime early 2011.

- Ergo Proxy: A dystopian sci-fi series set in post-apocalyptic world, Ergo Proxy follows Re-L Mayer and Vincent Law in their search for the truth behind mysterious and incredibly powerful beings known as proxies. The animation quality is some of the best I've seen in any series, though the lighting effects can occasionally leave a scene darkened and difficult to see. Aside from two episodes that feel rather out-of-place, the story chugs along at a steady pace, blending action and plot to deliver a thoroughly entertaining and cleverly planned narrative. My rating: 9.0

- Mobile Suit Gundam: Char's Counterattack: The final chapter in the struggle between Char Aznable and Amuro Ray sees Earth and its colonies thrust into a desperate struggle once again, and the return of a number of familiar faces. In terms of animation and the accompanying soundtrack, these are superb for a 1988 release. The plot, while interesting, seems a bit rushed, even with the film clocking in at over two hours in length, and might have benefitted from being formatted into a short OVA series instead of a standalone film. My rating: 8.0


- Spice and Wolf (seasons one and two): A seies that opts to play out its tense moments with quick thinking and cleverly planned out trades and transactions as opposed to violence, Spice and Wolf is an odd formula that ends up as a far superior series than it seems to aim for. Lawrence and Holo make a hillarious duo and the situations they find temselves in time and time again are as entertaining as they are gripping and suspenseful. With a phenomenal soundtrack and some high-end animation quality, this unorthodox series is defenitely worth checking out, even if math and economics aren't your strong suit. My rating: 8.5

- Turn A Gundam: With some of the most creative (and admittedly some of the strangest) mobile suit designs of any Gundam series and a story that focuses less on military combat than its brethren, Turn A Gundam is the black sheep of the franchise. With a complex series of relations that tie the many characters together as well as a deep and often thought-provoking plot, the series brings plenty new to the familiar Gundam story. Top that off with a beautiful soundtrack and some serious attention to detail in the animation, and the end result is arguably the single best alternate universe Gundam series to date. My rating: 9.75

- Castle in the Sky: Between their encounters with pirates and the military, Pazu and Sheeta find themselves caught up in a race to find the lost city of Laputa, a castle that floats high above the clouds. Combining sci-fi and fantasy motifs, the series is as creative as it is enjoyable. There is plenty of action and humor to keep younger viewers entertained, and Castle in the Sky caters to older viewers with one of the stronger stories of Miyazaki's films. My rating: 8.75


- Samurai Champloo: Laying a hip-hop soundtrack over a beautifully artful and action-packed series, Samurai Champloo is one of the stronger TV-MA anime released to date. While there is plenty of flash and flair presented, Fuu, Mugen, and Jin play off one another through a very amusing dynamic and meet a number of eccentric and quirky characters during their search for the samurai who smells of sunflowers. While most viewers will probably seek out Samurai Champloo with the intent of finding a quick action fix, the story is surprisingly strong and the art style and music make the series all the more fluid in its execution. My rating: 8.25

- Blue Submarine No. 6: While quite a major achievement for its time, the hybrid of traditional animation and CGI shows its age. The story, while creative, comes across as a bit preachy at times, but there is plenty of action and a few surprises to keep viewers entertained along the way. My rating: 7.0

- Vampire Hunter D: Bloodlust: With a title that includes the word 'bloodlust', this film isn't particularly over-the-top in regards to the blood and gore portrayed therein. The story, while a bit slow in the beginning, is thoroughly entertaining and brings some new twists to a familiar formula. Couple that with a cast of diverse and overall well-rounded characters and you've got an entertaining and original dark fantasy film. My rating: 8.0

- MS Igloo: The Hidden One Year War: The crew of the Zeon vessel Jotunheim is tasked with overseeing the testing of various experimental equipment and mobile suits during the later days of the One Year War. Engineer Oliver May provides viewers with the necessary information on each piece of equipment at the start of an episode, and is then shown interacting with his fellow crew members, wherein viewers are given a look at the varying personalities that make up the Zeon forces (explored less often in the Gundam metaseries than those of the EFSF). Fully rendered with CGI, the series looks better and better with each episode and gives and intersting look into the desperate measures taken behind the scenes during the One Year War. My rating: 8.75

- Gundam SEED: The first Gundam series to be fully rendered through digital animation, Gundam SEED provided a sort of hybrid between the alternate universe and Universal Century series. While the animation and soundtrack are both solid, the characters are almost entirely 'hit or miss', and the story feels like it is dragging on at times. My rating: 7.25

- The Girl Who Leapt Through Time: Mixing teen drama and sci-fi genres isn't something that's always easy or successful, but this modern take on a high school girl who explores the possibilities of time travel is executed nearly flawlessly. It's by far one of the prettiest looking anime films released to date, with an equally solid story fueled by a small cast of quirky and entertaining characters - the strongest of these being lead character Makoto. My rating: 9.0


- Sgt. Frog (season one): A hillarious romp through pop-culture references and the zany situations which Keroro and his A.R.M.P.I.T. platoon find themselves in time after time makes for one of the funniest anime I've seen to date. Aside from one relatively weak episode, I found myself laughing the entire way throuh the series, which, while geniunely funny, doesn't seem to force its humor too much on viewers. My rating: 9.5

- Dragonball Z: Fusion Reborn: One of the Dragonball Z films tied less directly to the main storyline of the series, Fusion Reborn follows Goku and Vegeta as they fight a powerful evil entity known as Janemba and attempt to restore the natural rhythm of Earth and the Other World as the barriers between these have been broken. The story is rather basic in its premise and tries to dish out as much action as possible in less than an hour. While the conclusion is a bit abrupt, the pacing overall is decent and a few nods to the original Dragonball along the way mix things up a bit from the standard formula of most DBZ films. My rating: 7.25

- Axis Powers: Hetalia (seasons one and two): One of the most creative interpretations of the events surrounding World War II, Hetalia portrays each nation as a single person and stereotypes them based on national traditions and culture. The main character is Italy, and as such the majority of the first season spends more time focused on the Axis Powers, but the Allies get their fair share of screen time in season two. Each episode clocks in at roughly seven minutes, so the series is relatively short, but at the same time geniunely hillarious. My rating: 9.0


- Full Metal Alchemist (season one): One of the most popular and critically acclaimed anime series of all time, Full Metal Alchemist follows brothers Edward and Alphonse Elric as they search for the Philospher's Stone in order to try and restore their bodies, which they forfeited most of during a failed attempt to resurrect their dead mother. During their journey, the brothers deal with the state military, Ishbalan refugees, and Homunculi (creatures of a human nature, but still distinctly inhuman). The animation is some of the best for its time, and the story is sure to keep viewers drawn in all the way up to the season finale. My rating: 9.75

- Howl's Moving Castle: A young woman named Sophie finds herself caught up in the conflict between magician Howl and his ties to the state and military. Like many of Miyazaki's works, the story includes a lot of fantasy elements and can easily be enjoyed by viewers of all ages. However, a few loose-ended story elements and a clunky conclusion drag this film down a bit more than most of Miyazaki's other works. My rating: 7.75

- Robotech: The Shadow Chronicles: Part sequel, part resurrection of the Robotech series, The Shadow Chronicles is an intracite conspiracy that invloves the humans who want to regain control of Earth from the Invid, and the ever-watchful Haydonites. The story is entertaining, though a bit predictable during latter scenes. The characters play off one another interstingly enough, and the animation quality is fairly impressive for a 2006 release. While overall the film is good, some cheesy elements make it fall short of being great. My rating: 7.75

- Mobile Suit Gundam Wing: As important a role as Gundam Wing played in introducing North American viewers to Bandai and Surise's wildly popular metaseries, the characters therein lack any apparent depth or believability. The animation is sub-par for 1996 and the soundtrack lacking creativity. It certainly had its place during the late 1990s, but in comparison to other series in the franchise, Gundam Wing hasn't aged particularly well. My rating: 6.75

- Dragonball Z: Bojack Unbound: In the midst of a major fighting tournament, Bojack and his minions - previously imprisoned by King Kai - arrive to try and spread chaos. Once again, the Z fighters are called into action to stop this threat. Unlike some of the other DBZ films, Bojack Unbound is quite closely tied to the events of the main series. Heavy on action, the film includes a fair amount of humor and doesn't try to take itself too seriously during lighter moments. My rating: 7.5


- Paprika: Following the theft of the DC Mini - a device capable of recording dreams and allowing others to enter a user's dream through simultaneous use - Paprika, alter ego to Dr. Chiba Atsuko, begins searching the dream realm for whoever stole the device and what they intend to with it. As the film progresses, the lines between reality and dreams begin to blur. With a creative soundtrack and a number of twists along the way, Paprika is one of the most brilliantly executed anime films released in years. My rating: 9.75

- 009-1: A sort of spiritual sequel to Cyborg 009, the plot and mood of 009-1 are darker and more mature, borrowing many inspirations from James Bond and other spy films/books of the 1960s and 1970s. More often than not, the characters of 009-1 fail to see their full potential achieved, as the story is almost exclusively focused on agent 009-1 (who, in turn, is very well-rounded by the series' finale). Each episode is a distinctly seperate narrative, though some attempts late in the series are made to tie subplots together with marginal success. All in all, the series is more about action with flash and flair than it is about a deep story, and it executes the former in a most dazzling manner. My rating: 7.5

- Azumanga Daioh: A slice-of-life comedy that follows a group of girls through their high school education, Azumanga Daioh caught me by surprise due to how genuinely funny it is without forcing too hard the delivery of said humor. The characters are all eccentric and quirky enough that they play off one another nicely, but hardly ever reach the point of being downright annoying. There isn't much that connects any of the episodes until late in the series, but that's not necessarily a bad thing as casual viewers can enjoy it just as much as more hardcore anime fans. My rating: 8.75

- Paranoia Agent: The first and only series helmed by Satoshi Kon, Paranoia Agent follows those affected (whether directly or indirectly) by a baseball-wielding assailant on rollerblades known as Lil' Slugger. As the series progresses, the question of who Lil' Slugger really is and what he is capable of becomes increasingly prominent. Part psychological thriller, part mystery series, Paranoia Agent proves once again the genius of Satoshi Kon through inventive plot twists, a colorful cast of characters, and narratives that viewers must piece together along the way. My rating: 9.5

- MS Igloo: Apocalypse 0079: Picking up shortly after The Hidden One Year War, Apocalypse 0079 shows how the Zeon forces became even more desperate and dependent on their experimental technology as the EFSF began dominating space battles. The characters are more believable this time around, and Monique Cadillac receives about as much screen time as Oliver May. With a phenomenal soundtrack that empasizes the series' desperate and tense mood, and CGI quality that surpasses its predecessor, Apocalypse 0079 is not only a fantastic Gundam OVA, but a great sci-fi OVA as well. My rating: 9.75

- Death Note: A constant battle of wits between high school student Light Yagami and master detective L serves as the premise for one of the most critically and popularly acclaimed anime series in years. With an interesting and believable cast of characters fueling the events that unfold, top-notch animation quality, and a powerful soundtrack, it's no wonder that the series recieved as much praise as it did. Even with some issues during the final third of the story, the pacing of Death Note is nearly perfect throughout. My rating: 8.5


- After War Gundam X: One of the stronger of the alternate universe series released in the late 1990s, Gundam X depicts a post-apocalyptic world in which scavengers known as 'vultures' roam the recovering wasteland of Earth. Garrod Ran serves as one of the youngest and most entertaining lead characters in any Gundam series, and the remainder of he cast is fleshed out via colorful and relatively believable characters. The animation is solid, but the series really shines through with arguably the best soundtrack from any series in the entire franchise. My rating: 8.5

- Mobile Suit Gundam F91: Originally planned to be a full series, then scaled down to a short OVA, and finally released as a two-hour movie, Gundam F91 works well as a bridge between the events of Char's Counterattack and Victory Gundam. The main characters a quite entertaining, though admitedly some of the secondary and tertiary characters come across as a bit flat. Despite its fast pacing, the story is quite solid and dishes out an excellent balance of action and plot while paying homage to older Gundam series. My rating: 8.25
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